I've been producing music from a young age.

I take pride at being one of the first people to build their own DAW-based home studio (early 90s), but equally regret missing the thrills of tape machines.

I've been working as an engineer, programmer, producer and a mixer in various settings, from Abbey Road Studios to ropey bedrooms.

But my real drug is sonic sculpturing. A drug that has led me to publish a book on the topic: Mixing Audio.

For 10 years now, I've been an academic teacher at the audio department of SAE London.