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Why do weathermen and amateurs use a green screenscreens when professional movie makers use blue screens?

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Why do weathermen and amateurs use a green screen when professional movie makers use blue screens?

I've seen a lot of "low budget" green screen setups. However, when I watch things about professional filmmaking, it seems everyone is using blue screens instead. (e.g. I've seen Industrial Light and Magic called "the blue screen boys", and the recent TF2 "Sentry Sabotage" video was filmed using a blue screen)

Is there some technical reason for this distinction or is it merely personal preference/inertia?