New answers tagged

-1

i am having the same problem...


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I have the same issue, the reason is that your graphic card is not supported with the 2020 version of Premiere Pro. I have the exact same graphic card. Check the Recommended graphics cards from Premiere Pro system requirements.


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You can use the Project panel search box to find your specific markers, and even save your search as a Search Bin by clicking the folder icon with the magnifying glass. You can then search within each matching clip for the specific marker by first selecting that clip in the Project panel, then using the search in the Markers panel which you can open by ...


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A possible workaround would be to use the Venetian Blinds filter. Here with a bit of experimentation I've made a path with a stroke of 20 and for the blind effect I have doubled the width to 40. The Transition Completion value is set to 50% so that half of the effect is achieved. You might want to play around with the settings if you want longer dashes or ...


-2

I have the same problem... is there a solution for this problem?


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I would check up in the Output window (second image). In the top left there is that option: Scale to Fit. Try changing that. Also check the "Fit" option in the bottom of the window right under the video.


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There are several ways this can be achieved: Holding the Shift key while scrubbing the timeline marker with the mouse. Holding the Shift key and using the up and down arrows to move between clips. This gives more precision over using the Shift key and scrubbing. Double clicking between two adjacent clips. For me this can be quicker when there are many clips ...


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Is there I can make the magnet sticky to splits so that I don't have to zoom in and out for each split I'm re-creating? By trial and error I was able to figure out that holding shift while moving on the timeline - either by dragging the timeline cursor, with with the cut tool (c) - will cause it to become magnetic or sticky to the splits in the clips. ...


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Solved by using the "Video" mode in Illustrator which you can select while setting up your file after you click "create new"


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This is a very simple effect that can be achieved using the Radial Wipe effect (which can be found in the Effects panel Video Effects > Transition > Radial Wipe) Using the 'Transition Completion' set one keyframe at the start at 100% and the second keyframe for the end of the clip at 0%. To match the effect in the example you have shown, change the wipe to ...


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Youtube 360 videos are in EAC, equi-angular cubemap format. FFmpeg have filter named v360 that can convert such videos to equirectangular or stereographic (also known as tiny planet) format (among many others) by using CPU.


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Ok, I figured it out: Sequence | Sequence properties | Editing mode: HDV 720p | Display format: 29.97 fps Drop-Frame Timecode


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Okay, the closest thing that I've found so far is to: Make a cut with the razor tool Select the audio part with alt + click Toggle Enable clip with shift + command + e (to disable the audio)


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I'd typically tackle something like this in After Effects, but since Premiere Pro is the restriction here, lets give it a go; Screenshot/Screen Record the application you wish to deconstruct. Import the footage into Premiere. Count how many components you'll be splitting the footage into and duplicate the footage that number of times. On each duplication, ...


3

Premiere Pro does not currently read audio timecode, I wish it did as it would solve a lot of problems. There are a couple options but either mean longer work flow and or costs money depending on your situation. If you have Tentacle Sync hardware, you get a license for Tentacle Sync Studio for Mac or Tentacle Timecode Tool for PC which can overwrite your ...


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Your question is rather confusing, but I'm going to assume you want to avoid smooth high frame rate footage To do this, set your iPhone X to record at 24fps (or 30, if 24 is not available) and use the same frame rate (24/30fps) in Adobe Premiere. It is important to make sure your iPhone X is also recording at the correct frame rate, as recording in 60fps ...


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At the Big Picture level, commercial NLE companies' raison d'etre is to make money. As such, they are obliged to protect their own intellectual property, and distinguish themselves from their competitors. While a certain level of interoperability is required to appease their customers, they will never co-operate well enough with each other to provide each ...


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