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Basically what @Amer said plus for a shortcut there's an app that can 'downgrade' your project online - http://joshcluderay.com/downgrade-premiere-project-converter/ the trade off is, it always sets the version to 1 so 'some' effects and attributes might be lost in the process. I found that for your everyday editing this doesn't affect anything unless you're ...


2

Hotkeys inside premiere are only available if they appear in the shortcut-list. However, you might be able to use an external program such as macro recorder to bind certain actions to a custom button / button-combination. (i do not own macro-recorder btw and have not tried it for myself. I only heard that it works well with premiere.)


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I don't think you can. Try using the Lift and Extract functions instead of cutting using the playhead position. Set the In and Out points using I and O "Lift" the section you want to remove using ; if you want to "lift" it (copy it, leaving a gap in the timeline) Or use ' if want to "extract" (copy it and ripple the rest of the ...


2

Yes, your observation is correct and everything works fine. Even if settings are identitcal, the file hashes will always be different. The reason is quite simple: XMP metadata which is embedded in the files. Such metadata entries which are often different are: time stamps (not only the date but the time too) creation date modified date metadata date IDs ...


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There isn't a way to do it per se but there is an easy workaround: Select all clips with the outdated effect Right click and remove attributes Select the effect you want to update and remove it. Then copy the clip with the updated effect and right click all other clips again to paste attributes.


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Yes, well not for zooming but for maximizing and restoring the panel. These shortcuts may look different depending on the keyboard layout. On English layouts it's ` for the active frame, which is the frame with the thin blue border drawn around, and Shift+` for the frame under the cursor. The ` character is called acute or backtick. If you use another ...


2

When you record each track, make sure that the level never goes up to zero on the meter. If it hits zero, it means that the recording is clipping. Clipping is when the computer can no longer accurately record the waveform. So instead of recording the shape of the wave, the upper and lower limits of it will be clipped in a straight line. So a tone sound ...


2

This is a good question, and it's not obvious. When you click once with the text tool, you make a single line of text. If you drag the handles of this line, the text gets bigger and smaller. But if you click and drag with the text tool instead to create your text, you get a text box. Now resizing the box with the handles increases the amount of text in the ...


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I have seen this behaviour before and it is possible that you are experiencing the same issue. With some GPUs, the hardware acceleration is buggy, so that the target and maximum bitrate is ignored. This also depends on the codec. As a workaround, in the export dialog, go to the Video tab and under Encoding Settings try to switch from "Hardware Encoding&...


2

I would put all three files on three layers in either Premiere or After Effects, and play with the different blend modes and opacity of each layer until the image looks right. Screen, Add, or Overlay modes will probably be worth trying. Premiere: https://helpx.adobe.com/premiere-pro/using/blending-modes.html After Effects: https://helpx.adobe.com/after-...


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I normally use ProRes 4444 set to "RGB + Alpha" and "Millions of Colours+"


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Hold the Shift-Key pressed and move your mouse wheel to scroll the timeline horizontally. This works when not playing as well as when playing but only if the timeline is not auto-scrolling. If you want to keep the playhead centered, go to Edit-Menu -> Preferences -> Timeline and select "Smooth Scroll" where it says "Timeline Playback ...


1

Neither Premiere nor ffmpeg support such an operation as far as I know. But you could edit the audio with another program. Most DAWs (digital audio workstation) have more features to edit audio than video editors. One such DAW is "Reaper". It comes with a free trial period, so you can test it for yourself if it's a good fit for your workflow. I'm ...


1

The way I would do it is just duplicating my timeline, make one for each type of encoding I want (clip_001_youtube, clip_001_instagram,...), then use Media Encoder, just publish them all and then let ME do it's thing of batching them. I find it helpful to make a bunch of timelines that are almost the same. Sometimes, I use nesting to make it easier also.


1

Adobe Dynamic Link is a great tool, but unfortunately at the end of the day it can be problematic as it has its limitations. As After Effects is almost entirely focused on video, it doesn't surprise me that audio would be one of these limitations. Before dynamic linking existed, we always had to do round-tripping (sending files to another program, working on ...


1

You have control over this. If you use the correct settings, you will work on the original file. When you setup a project you can define what Ingest Settings to use during import. Those settings can also be changed later. In your case you probably want to use Copy. If you drag and drop a video from the Media Browser panel to the Project panel the video will ...


1

It would be fairly easy to use a wipe centred on the black pole in the middle of the ski lift. A wipe is a standard transition found in most, if not all NLEs, that crops the outgoing picture from one side to progressively reveal the incoming picture. Wipe effects commonly have the ability to soften the edge,a nd apply a coloured border, both of which could ...


1

You could use black screens as section dividers, e.g. one screen could feature a large question mark and the other one an exclamation mark as text. The idea is to drag the black screens across the video frame from side to side at the same speed you're panning. Make the animation so that it looks like the black screen is attached to the middle pole. Step by ...


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Knowing the details about what format your camera recorded is often as simple as consulting the manual. However, some cameras shoot multiple formats, and often, editors are given footage from unknown or unreliable sources. One of the best tools for discovering the full details of an A/V file is the command line utility, mediainfo. Depending on whether or ...


1

Sure you can do that. Go to the Edit menu -> Keyboard Shortcuts... and search for the action you want to change (alternatively search for the keyboard shortcut itself). Click the little x on the existing shortcut to remove it. Then click the field and type in the new shortcut. If it doesn't work, click once more, and type again. The only problem is that ...


1

Markers are part of the XMP standard and are stored in the file. So yes, it's comparable to EXIF. You should notice, that immediately when adding a marker, the file on the disk will be changed, meaning the change date of the file should update. At least that's true on Windows. I don't know what file system a Mac uses and if that's behaving differently. In ...


1

Adding colour banding is also known as posterising (or posterizing if that's how you roll). There's a built-in (to AE, though I'd be surprised if it's not also in PP) posterize effect (Effects>Stylize>Posterize). It only has one control, Level, if you set it low you'll get something that looks like an 8-bit game, or a screen-printed poster (hence the ...


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Open a text editor and find the ▶︎ unicode symbol. It will be called something like: BLACK RIGHT-POINTING TRIANGLE Unicode: U+25B6 U+FE0E, UTF-8: E2 96 B6 EF B8 8E Open a sequence in premiere and create a text object. Keyframe the opacity to 100% Move forward 15 frames Keyframe the opaticty to 0% Select the two keyframes Right click them and set them to &...


1

I want to cut an existing movie and want to remove all the language track from it. ffmpeg -i -c copy -an video_only.mp4 How do I remove all the soundtracks except the one I need? ffmpeg -i -c copy -map 0:a:1 specified.mp4 Reference: http://trac.ffmpeg.org/wiki/Map


1

I think this is likely to be due to out of phase audio in one of the stereo channels. Below is a copy of my answer from here: Premiere Pro audio muffled and distorted on export (I have tried to flag this as duplicate, but cannot because the answer wasn't accepted). This might be because you are exporting a stereo audio file which has one channel phase ...


1

To centre the video clip: Select the clip in your timeline Click on the Effect Controls tab in the left panel Open the Motion section by clicking on the triangle, and adjust the position of the clip. To make it central relative to your sequence, it will need to be half the values of the sequence. So if your sequence settings are 1920x1080, you would need to ...


1

I don't think you can keyframe this. I would duplicate my clip, and set one with the first blend mode, the other with the second. Then crossfade between the two.


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You might be doing nothing wrong. I find dynamic linking between Premiere and After Effects still slow and buggy in CC2020. If I have a complex comp in AE, I would pre-render in AE, not using the pre-render function in the Compositions menu (because that seems to irreprably delete the original comp, unless anyone else knows otherwise?), but by exporting the ...


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It's not currently a feature, but one work around is to throw all your sequences (nested) into one sequence and then in the Markers window right click the tab menu and select "Show all clip markers in sequence". This will give you one big searchable list of markers in all the sequences in your big sequence.


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ProRes/CineForm/DNxHR caught on because of the platforms which decided to use them. Initially, H.264 didn't have 10-bit implementations and H.265 didn't exist. Those formats are made to hold up to being re-encoded while being very fast to encode/decode. They're not painstakingly tweaked for the best possible quality at a given bitrate. Several cameras can ...


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