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The most efficient way is to use the command line renderer in multi machine mode. That will mean each machine will render the next un-rendered frame independently. You need to set the output module to …

Make sure that audio is on in your output module. In versions prior to CC you had two choices: on and off, recently they've added an automatic function that turns on audio rendering if the comp has au …

Make sure that only the comps you want rendered are in the top level of the project. If there are compositions that you don't want rendered, such as subcomps, put them in a folder in your project wind …

If you're just looking for the h.264 match source settings preset, you'll find it in the Preset Browser under System Presets > Broadcast > H.264 If you have another preset that you want to use, or …

Importing from AE using dynamic linking and rendering in Premiere or Media Encoder will yield the same quality, but it does give you a little less control over the render settings. While in AE you c …

They do on Windows, you need to use the AVI container as HuffyUV isn't available as a quicktime codec, afaik. I used huffyUV for a while, but have switched to magicYUV which has a better range of col …

The choice of codec will largely depend on what you're doing with the material. Your problem is that there just aren't enough colours in 8-bit colour space to give you a smooth gradient over the size …

Have you read Adobe's system requirements for Premiere Pro? I think you'll find that a GPU is absolutely crucial for Premiere renders. Looking at your specs you seem to have got everything fairly well …

Are you exporting to h.264? Try rendering to a master file in a intermediate codec like ProRes, Cineform or DNxHR. Rendering to h.264 involves referencing multiple frames to create the intermediate f …