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I think you might be getting confused. Have you tried re-importing the video back into AE and checking the alpha channel there? Otherwise use your player app's information function to check the pixel …

I get the feeling you think collapse transformation means something that it doesn't. What Collapse Transforms does is to leave all the transformation properties in the subcomp intact and available t …

The problem that you won't be able to easily fix is the missing parts of the right hand in the foreground layer. But if you're ok with that there are a couple of ways to do this shot. First you could …

Both After Effects and Premiere Pro are scriptable using the extendscript API Adobe have provided for them: here are docs for AE and PP. Extendscript is based on Javascript (ES5). …

There's a script that does it for you (I just wrote it). You can get it (free, open source, WTFPL license) here on my blog. With the playhead in a gap, run the script and it will pull the layers after …

If I understand what your asking correctly there is a way of doing it. On the subcomp layer in the main comp add a colour expression control effect (Effects > Expression Controls > Color, then contro …

Make sure that audio is on in your output module. In versions prior to CC you had two choices: on and off, recently they've added an automatic function that turns on audio rendering if the comp has au …

Premiere should be able to deal with source material that has different frame rates in the same sequence. In your project window, right click the footage and choose Modify>Interpret Footage. I …

Firstly it looks like your sequence is 720x480, i.e. standard definition DV NTSC. This is the default sequence for Premiere, and has been since dinosaurs roamed the earth. Since it's about 1/16th the …

If you go to the sequence window you can hit uu (that's double tapping the u key), to show all modified properties. Then copy all the keyframes and values (drag the cursor over the whole timeline area …

The easiest way to do this is to use an expression. First you convert audio to keyframes. Then set an expression on your opacity channel. If you drag the pick-whip for the expression to the audio keyf …

@user2248 is on the money. The only software I know of that can do this sort of thing is ffmpeg. I'll expand on his answer: Import mymovie.mp4 into Premiere Pro, or audition or whatever. Do your sou …

That script uses the variable shrink, which paradoxically increases with time. Just make it decrease with time, e.g. by replacing the first line with these two: var endTime = 123; //how long you wan …

They do on Windows, you need to use the AVI container as HuffyUV isn't available as a quicktime codec, afaik. I used huffyUV for a while, but have switched to magicYUV which has a better range of col …

Why not import the folder into PP and watch and sort them in PP? After all that is the whole purpose of the application. As you watch them you add the ones you want to the end of a timeline (hit the …