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Depending on the level of quality you want to operate at, these two recording options you mentioned are pretty much it: record externally or internally.

The reason to record externally are more than you mention, I.e if shooting an interview, you can leave the sound running but turn off the camera for the moments that are not so interesting.

Also, the "cons" are not so big: syncing can be done by audio fingerprinting automatically in premiere or using an external software like pluraleyes. You can even record smpte timecode with a device like tentaclesync and synchronize audio and video automatically by timecode.

Additionally you will often encounter situations where it is desirable that the microphone is not tethered to the camera, I.e. When shooting a distant wide shot but wanting the mic to be closer.

Also, dlsr cameras internal recording quality is not great in comparison to a proper sound recorder.

While the other cons you mentioned of "dual sound" recordings are valid, I think it is something you will get used to pretty quickly. So, waging your options I think you have to decide between slightly more work but better sound and less work but worse sound.

Depending on the level of quality you want to operate at, these two recording options you mentioned are pretty much it: record externally or internally.

The reason to record externally are more than you mention, I.e if shooting an interview, you can leave the sound running but turn off the camera for the moments that are not so interesting.

Also, the "cons" are not so big: syncing can be done by audio fingerprinting automatically in premiere or using an external software like pluraleyes. You can even record smpte timecode with a device like tentaclesync and synchronize audio and video automatically by timecode.

Additionally you will often encounter situations where it is desirable that the microphone is not tethered to the camera, I.e. When shooting a distant wide shot but wanting the mic to be closer.

Also, dlsr cameras internal recording quality is not great in comparison to a proper sound recorder.

While the other cons you mentioned of "dual sound" recordings are valid, I think it is something you will get used to pretty quickly.

Depending on the level of quality you want to operate at, these two recording options you mentioned are pretty much it: record externally or internally.

The reason to record externally are more than you mention, I.e if shooting an interview, you can leave the sound running but turn off the camera for the moments that are not so interesting.

Also, the "cons" are not so big: syncing can be done by audio fingerprinting automatically in premiere or using an external software like pluraleyes. You can even record smpte timecode with a device like tentaclesync and synchronize audio and video automatically by timecode.

Additionally you will often encounter situations where it is desirable that the microphone is not tethered to the camera, I.e. When shooting a distant wide shot but wanting the mic to be closer.

Also, dlsr cameras internal recording quality is not great in comparison to a proper sound recorder.

While the other cons you mentioned of "dual sound" recordings are valid, I think it is something you will get used to pretty quickly. So, waging your options I think you have to decide between slightly more work but better sound and less work but worse sound.

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Depending on the level of quality you want to operate at, these two recording options you mentioned are pretty much it: record externally or internally.

The reason to record externally are more than you mention, I.e if shooting an interview, you can leave the sound running but turn off the camera for the moments that are not so interesting.

Also, the "cons" are not so big: syncing can be done by audio fingerprinting automatically in premiere or using an external software like pluraleyes. You can even record smpte timecode with a device like tentaclesync and synchronize audio and video automatically by timecode.

Additionally you will often encounter situations where it is desirable that the microphone is not tethered to the camera, I.e. When shooting a distant wide shot but wanting the mic to be closer.

Also, dlsr cameras internal recording quality is not great in comparison to a proper sound recorder.

While the other cons you mentioned of "dual sound" recordings are valid, I think it is something you will get used to pretty quickly.