Timeline for Converting MLV to Prores
Current License: CC BY-SA 3.0
7 events
| when toggle format | what | by | license | comment | |
|---|---|---|---|---|---|
| Jan 12, 2015 at 10:58 | history | tweeted | twitter.com/#!/StackAVP/status/554593277530628096 | ||
| Jan 11, 2015 at 11:42 | vote | accept | Undistraction | ||
| Jan 11, 2015 at 11:32 | comment | added | Jason Conrad | sRGB and Rec.709 are saturated and contrasty. They're for final delivery (709 being the broadcast standard for TV, and srgb for computer monitors). You'd only use those if you liked the way they looked and decided that you didn't want to do any further adjustment. As for the rest, I use S-Log2 a lot, and am pretty comfortable with it, both with our Sony cameras, and Blackmagic. I've used C-Log a little, and it's similar, so it's probably OK, but I haven't graded any ML RAW, so that could be a totally different beast. As I say below, trial and error, my friend. | |
| Jan 10, 2015 at 17:29 | comment | added | Undistraction | @JasonConrad The options are: Log-C, C-Log, Linear, HDR global tone map, Log 8, sRGB, Rec.709, S-Log2 | |
| Jan 10, 2015 at 16:23 | answer | added | Jason Conrad | timeline score: 3 | |
| Jan 10, 2015 at 16:04 | comment | added | Jason Conrad | What choices are available? | |
| Jan 10, 2015 at 11:10 | history | asked | Undistraction | CC BY-SA 3.0 |