788 reputation
29
bio website pureandapplied.com.au
location Melbourne Australia
age 45
visits member for 2 years, 2 months
seen Apr 12 at 14:18

hello


Apr
12
comment Best way to stabilize footage?
especially weird is the combination of rolling shutter + motion stabilisation in post, giving the effect that everything is randomly stretchign like jelly.
Apr
12
answered Superimposing 2d photoshop cartoon into video footage
Apr
1
comment h264 settings for large flat areas of slowly changing colour
thanks, but it's probably not the limitations of the 8-bit output. Banding occurs with gradients. These are flat areas of colour, with every pixel the same value. The compression is introducing the banding as the the pixels change in time.
Mar
27
asked h264 settings for large flat areas of slowly changing colour
Mar
27
revised What are some software to create animated videos?
added 339 characters in body
Mar
27
answered What are some software to create animated videos?
Mar
13
revised How do I change frame size, preserving width (using ffmpeg)?
added 4 characters in body
Mar
13
comment Are there any good video editing programs with a command line interface?
I think it's source-code only for windows. But for mac users it's available via hombrew (>brew install mlt).
Mar
12
answered Are there any good video editing programs with a command line interface?
Mar
7
comment restart encoding with ffmpeg when bad source
could you pipe stderr to another process that kills and restarts ffmpeg if it detects the "invalid, clipping" comment?
Mar
4
revised How did cameramen manually focus in the film days?
added 1 characters in body
Mar
4
revised How did cameramen manually focus in the film days?
added 667 characters in body
Mar
4
answered What software and technique would I use to achieve this effect?
Mar
4
comment How did cameramen manually focus in the film days?
Telecine is for transferring film to video, it has nothing to do with the video split on film cameras. Basically a video split (aka video assist) is just a small video camera focused on the ground glass screen in the camera's viewfinder.
Mar
3
answered How did cameramen manually focus in the film days?
Feb
26
comment FCPX => DaVinci Resolve => FCPX color grading round trip
makes sense. I've been introduced to DaVinci since getting a BMCC and to edit the footage you need to do a one-light grade before going to FCP.
Feb
24
comment FCPX => DaVinci Resolve => FCPX color grading round trip
A kludgy workaround would be to open the XML file in a text editor and do a find-n-replace on the file path of the original clips, replacing it with the path to the graded clips. Eg if your ungraded clips are like /mediaDrive/rushes/clip1.mov and your graded clips are like /MediaDrive2/graded_clips/clip1.mov, replace mediaDrive/rushes with MediaDrive2/graded_clips, save (as a copy, need I say) and import into FCPX.
Feb
24
comment How can i achieve the effect of this video, focused in the foreground with a blurred background?
If you can't change cameras, then making sure your aperture (aka Iris) is as wide open as possible will also decrease your depth of field, as mentioned. In some situations a neutral density filter will help, by decreasing the light going into the lens, meaning that the camera will open up the aperture to compensate.
Feb
24
comment Achieving the Elf “Angel” effect
As for grading software there's a lot of possibilities. Grading in Potatoshop is one option, but as far as workflow goes an application that was designed for it will be easier to use. Adobe Speedgrade is the Adobe offering, and there's plenty of others: Blackmagic DaVinci Resolve or Apple Color two popular (as in I've used them). Alternatively there are grading plugins for NLEs Like Baselight, Synthetic Aperture Color Finesse for After Effects, or Colorista from Red Giant which has a free version. redgiant.com/news/featured/coloristafreelutbuddy
Feb
24
comment Achieving the Elf “Angel” effect
That stocking idea is as old as the hills BTW. You get different types of glow with different colour stockings. They also used to use a thin smear of vaseline on a filter in front of the lens.