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Even with a floppy drive, you may be SOL -- it's likely the drivers won't work in your current OS. You might have to fire up a virtual machine with an older OS. If the video is analog, consider a USB video capture device. Here's a whole page of them, or search for "USB video capture".


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Yes , there are many free online video editors ,i generally choose "clip converter" as it easy to use with various options which doesn't even need tutorials for getting started ,if you still facing problem here is procedure explained http://thegeekdaily.com/cut-ringtones-from-youtube-videos/


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Yes , there are many free online video converters ,i generally choose "clip converter" as it easy to use with various options which doesn't even need tutorials for getting started ,if you still facing problem here is procedure explained http://thegeekdaily.com/cut-ringtones-from-youtube-videos/


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Forward thinking the A7s is capable of 4k (with external recorder, e.g. atomos shogun) which is trendy and can shoot at a higher fps (120 fps) and in S-log which for me is three major selling points over the 5D. Not to mention the picture is a lot sharper. The 5D in my opinion is not something I would want to use given the option of the A7s, the image is ...


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Premiere pro supports the creation of "subclips" which are smaller clips as you describe. You can then show them to your team from inside premiere or render them to individual videos with the adobe encoder utility.


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If your tv says that it is 1080p, it should be able to display 1080p and anything below, including 720p. If your kodi box outputs 720p, any TV rated at 1080 or higher should have no problem displaying it. There isn't really a way to "switch" your TV to 720p mode, it should just display at whatever resolution it's fed by your kodi box. I would guess that ...


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It can be, basically you need a program with some sort of color corrector. In Premiere its called the three-way color corrector/fast color corrector, in vegas, its secondary color corrector I believe. In PP, using three-way color corrector/fast color corrector, all you have to do is select an area that should be white in the frame using 'white level' and ...


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MoviePy looks less intimidating than other scripting languages. It may be easier to script your time tag cutting tool with it. http://zulko.github.io/moviepy/


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Use Avanti with ffmpeg. The former has a job control manager where you drop in multiple files at once and go. You can find webm encoding guide for ffmpeg here: http://trac.ffmpeg.org/wiki/Encode/VP8 Use crf mode encoding and experiment till you get desired size. Set b:v high like 10M and tweak CRF value and if you have no audio, use -an in place of -c:a ...


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On a Windows Based System you can use the Sony Vegas PRO and Sony Vegas Movie Studio, which has several plugins which you can apply in a per-track and/or per-event basis. The "per-track" option may allow you to place a bunch of video clips in the same track on your timeline so that the same color correction preset or customised parameters will be applied to ...


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I'm no expert and I'm not in USA so not familiar with the US plate system, but I've just used VLC player (free download available) with a crop adjustment made top and bottom to allow me to view the center of the video double sized on my monitor, then found a few frames where the plate looks clearest and taken a screen grab and into photoshop to zoom in. ...


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Depends on the type of mount your camera has. This is a good solution for the A7S or A7R and was recently shown at NAB: The Aputure DEC. They also have one for MFT. http://www.bhphotovideo.com/c/search?ci=23192&N=3989452947&mnp=0&mxp=1000 And this should be available soon! ...


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You need something like the Blackmagic Multiview: https://www.blackmagicdesign.com/products/multiview or Matrox Quad-Split http://www.matrox.com/video/en/products/microquad/ or Decimator MD-QUAD http://decimator.com/Products/MultiViewers/MD-QUAD%20Quad-Split%20MultiViewer/MD_Quad.html These units take HD-SDI input and can then display it on a HDMI (or SDI) ...


2

I've found 2 useful references: LEVIN, A., ZOMET, A., PELEG, S., AND WEISS, Y. 2004. Seamless image stitching in the gradient domain. In European Conference on Computer Vision, 377–389. and PÉREZ, P., GANGNET, M., AND BLAKE, A. 2003. Poisson image editing. ACM Transactions on Graphics (SIGGRAPH ’03), 313– 318.


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FFMpeg's vid.stab filter is configurable. Crank up the time-scale and even slow global motion should get stabilized. You have to run it as a 2-pass process: detect, and then stabilize. If you're going to do more with the video later, after stabilizing, output to a lossless format and then point your other tools at that.


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I have used virtualdub with avysunth ColorYUV(autowhite=true) it seem to have done an "ok" job


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You're doing it wrong. Key from your effects source on to your live video with the switcher. You will get much lower latency and better performance. Alpha keying is ideal if your switcher supports it, but depending on what you are doing, luma keying (or less likely chroma keying) may also work. There are a select few situations that may actually merit ...


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Another option to try is Prodad Mercalli - a standalone application with some very cool features, such as CMOS correction. Contains many built-in presets for action cameras. Not cheap, though.


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Adobe premiere and After effects have a stabilizer plugin with a "no motion" setting that does what you want. These are commercial applications. The free Da vinci resolve lite also has a "stabilize option" (but I have never tried personally)


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Okay, so it turns out that the shutter change is automatic depending on the amount of light available. You cannot alter the shutter manually. What this means in practical terms is that, with room lightning you are 99% guaranteed that you're shooting wide open, which just blurs everything and makes the video mode pretty much unusable. Thanks Canon.


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I found a way to raytrace 3d work. it turned out that the company has not updated adobe lib optix. in the parts that comes with the after effect is version 3.0.0 in August 2013. It is not present in the card support on the architecture "maxwell" I downloaded from the site Nvidia optix version 3.8 and simply replace the file optix.1.dll. and lo and behold I ...


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Blurriness is also affected by focus. Apart from the aperture make sure that you have focused on your subject. (Again read the manual on how to do this)


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It's impossible to maintain the original quality when you upload a video to youtube since youtube reencodes all videos. For a detailed explanation of why it does that, check my answer here. To minimise quality loss, export your video with a high bitrate.


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I can't tell for sure from the single frame there and not knowing what the source was, but it appears that you were using an HDR video application. The result of such an application is that you get frames with two different exposure settings that are designed to be combined to form video with frames that have a higher dynamic range. If that conclusion is ...


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This is because youtube uses its own compression. When you upload, that videos is a compressed mp4 or wmv ,quicktime or something. Youtube's process compress it much more. You lose details in the corners of your movie. You lose many data when a frame makes a decent change comparing to the previous frame. And even lose quality on very dark regions and very ...



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