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4

You should only have to relink one of the assets per moved/renamed folder, Premiere will then automatically check for any other offline assets in that directory and relink them. Depending on your version of Premiere Pro there will be a checkbox in the Missing Media dialogue that will allow you to toggle that behaviour: Premiere has also been made smarter ...


3

The basic geometrical facts are that if you want to see the full images you can't put two 16:9 images inside a 16:9 frame without some empty space left over. If you want to STRETCH the images it will fill in the blank space, but it will distort the images. Alternatively, we commonly see an effect where you take some of the left (or right) edge of the ...


3

I do not know of any existing solutions for this in Premiere or AE. However, if you know a little about programming, you might be able to write a script using OpenCV that runs Tesseract OCR on video frames, and comes out with the text you want. Once you have the text and time codes, you definitely could write a script to build the titles at the appropriate ...


2

I'm not sure why you would want to use normalize at all. You should use audio tracks and place the audio you need to adjust on it's own track. Then, using the audio mixer, apply dynamics to the audio tracks. You can then use the compressor within the dynamics filter, which you can use on all your tracks, to get your dynamic range all in line. On the clip ...


1

When you export you can crop the left and right accordingly but when you go to play it on a TV, YouTube, Vimeo, etc they will be back tho.


1

Film productions, as well as TV Shows, typically make their platform decision based solely on the talent pool they will be working with/post house they hire. If the editor they are engaging to cut is a FCP guy, they will likely use FCP. A lot of folks are moving to Adobe's lineup, like PPro. For network TV, certain networks have strict parameters in ...


1

Broadcast post-production house editors I know in LA mainly use Adobe Premier Pro CC and Avid Media Composer. Freelancer editors I know there use them plus FCP 7 (a few use FCP X). For VFX - most freelancers and houses originally use the best tool for the job, but a steep learning curve for new software means they don't change software easily. If you want ...


1

The best way I've found is based off of "User" above but much simpler, no need to copy and paste: Drag and drop all 20+ clips on to the timeline to add them. Press 'a' and hold Shift, then click on the leftmost clip on the sequence to select all video clips to the right of the first clip on a single track. Right click and choose Speed/Duration. Choose a ...



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