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7

There are several factors that comes to play with recording computer screens. As filzilla already mentions, sync is a major factor. In the old days CRT monitors was very challenging to film even with sync-locking. Depending on if you filmed on silver or on video you did get different results. With the exception of LED screens, LCDs also offer sync ...


4

The problem with recording a video display with a video camera weather LCD, LED, or old fashion CRT is the frame rate often does not match the camera. Artifacts may include a vertical bar rolling through the screen. Even if your camera can match the frame rate of the display being recorded one may still end up with moiré pattern artifacts. Many productions ...


4

The general technique you're asking about is called motion tracking, of which there exist different types: Feature ("point") tracking, planar tracking, and 3D match moving. After Effects (and the bundled Mocha) is probably the best entry level software to each of these methods, but it definitely leaves room for professional growth. Apple's Motion includes ...


4

So after 8 hours of research, trial and error, I found a successful workflow for .mov footage from my Canon EOS Rebel T3i. The first part is that you can't import .mov "Apple / H264" files with Lightworks without purchasing the "Pro" version. The pro version costs $60 per year (which is actually a good price for what you get). So I bought that and was ...


4

Jim Mack's answer hits on most of it, but you will also want to look at the term rotoscoping. Generally speaking, this kind of thing is a highly manual effort to get best results. If you can separate layers using green screen, then you can place distinct color elements in your black and white shot (or vice versa) but if they are all on the same shot, then ...


4

As you suggest, the scenes are shot in color. There isn't much of a special task for the director, it's almost completely a post-production challenge. In some cases a high contrast take can be made to assist in masking. This would be unusual for scenes involving actors, since the high-con pass wouldn't be well registered. It may also be possible in some ...


4

I have not seen any movie that used any onset technqiuqes for this look. Of course you want the lighting to give away a certain mood to begin with but there are no special filters needed. For the post production workflow, there is a great plugin for several video tools like After Effects, Premiere and Final Cut from Red Giant called Mojo that makes it ...


4

it's a vignette. Here's a tutorial on how to do it. If you add a black solid layer to a comp, then feather the edges, and invert the mask, you'll get the basic effect. Beyond that, some people used coloured solids (e.g. just off-black in one colour or another). You can also apply a blur or defocus effect towards the edges of the image, if that's the look ...


4

You could do this by making subtitles from your data streams and then either playing them back on a media player that can display subtitles, or rendering them into the video. Most subtitle formats are very simple ascii files — to demonstrate, here's an srt subtitle file: 1 00:00:01,046 --> 00:00:02,540 This is my home. 2 00:00:03,560 --> ...


4

The technique you are looking for is called "motion tracking". Currently, FCPX doesn't have the ability to do this on its own, but you could use Apple Motion or Adobe After Effects to accomplish what you're after. Motion tracking, in general, follows patterns of pixels as they move around the scene. Depending on the effect you're after, and the demands of ...


3

Depending on the fidelity of the video you can try to do a high pass filter on the video, in essence it will sharpen edges of the scene and help bring it out. The two steps I would do: 1) De-noise it (I use the neat video plugin for after effects) 2) Run a high pass filter (photoshop has this, but not after effects). To emulate this: a) Create a ...


3

I didn't view the entire video, but from what I saw it looks like a series of static slides. You could grab a still frame from each slide and create a (say) five second repeat of that frame, and use it to cover the section in the video where that slide appears. Every editing package I'm aware of can do this. Better yet, get the original slide stack and scan ...


3

Any workflow that works for you is "correct". I don't see any obvious problems with your proposed workflow, though I would think you would want to do sound after VFX so that it can be properly timed to the VFX. Depending on the software you are using, you may not have to lock the shots but may actually be able to move directly in to working on the shots. ...


3

I found that using Adobe Media Encoder is much easier when just cropping. Add the video to the queue and open the export settings. On the source tab you can crop the video and there you can also enter how many pixels to remove at each side. Remember to set the correct output size in the video tab on the right side. Here is a screenshot showing how i did it: ...


3

Adjust Metal to 0% and Specular Shininess to taste in the material options of the text layer.


3

Turns out that one should use the Motion effect and not the Transform effect for zooming in Premiere, even though they have exactly the same Position and Scale controls! Here is the result with the Motion effect p.s. The Anti-Flicker filter I discovered under the Motion effect was left to the default of 0, so that was not needed. p.p.s. I also found this ...


3

Here's one idea for the effect, which you can even do in Premiere: Get a live-action camera shot where the camera is slowly trucking forward. In post-production, create a title that has at least one letter with a hole in it (A, B, D, O, P, Q, etc.). Lay the title over the top of the trucking-in shot. Animate the scale and position of the title over several ...


3

I've had my fair share of matching. C100 with 5D MK III, 5D MK III with 7D, 7D with C100, 7D with a Sony Camcorder. It's all a matter of getting two cameras that are similar in terms of resolution and how 'soft' the image is. For example, the C100 is incredibly sharp, like 4k sharp in 1080p, whereas the DSLRS I mentioned are quite soft. Although you can add ...


2

The old school way is stop-motion animation. You basically take snapshots of the paper at regularly timed intervals, where you remove you hand and take the snapshot, then compile a video from the stills. You can use interpolation to smooth out the framerate. Another idea to remove your hand and pencil is to chroma-key your hand and drawing implement ...


2

I have seen some trainwrecks by combining Nikon .mov with Vegas Pro 10. After tech calls into both Nikon and Sony it was determined that my machine didn't have enough resources. I need to upgrade from 32 bit to a 64 bit version of Win7, plus I need to go from a quad core to an i7, and from 4GB to 12 GB or better. I can use my Nikon files now but only if I ...


2

I'm currently following this tutorial and at 12:44 i think i got the same problem as you did in this situation. When I turned on "Accept lights" my text turned white to my frustration. To fix it I tried experimenting with "Light transmission". I think this was set to 100% without me knowing, so when i adjusted it, my ...


2

I would probably approach it by first measuring the size of the area that you want to crop to. This can be done by exporting a frame of the image and cropping in another program (like Photoshop). I would then create a sequence based on the other settings of the video, but alter the resolution of the sequence to be that of the portion of the video you ...


2

Oliver, have you tried changed your sequence settings to the new dimensions? You can also restrict/define dimensions in the export settings under 'Basic Video Settings'. Hope this helps!


2

You can achieve an effect like this with a couple of distortion filters from most video editing or motion graphics packages. For example in FCPX/Motion, you could apply a couple of Bulge distortion filters to the upper right and lower left and adjust the scale and radius as appropriate. In terms of implementing it yourself, I agree that it's a question for ...


2

About the newspaper headlines. I would not call it an effect at first. First it is a storytelling element, with the headlines actually telling something and often carrying the storyline forward - easily anything between three days to several months, plus that you could use it as a prelude for a jump in time of several years. What I'm trying to say is; this ...


2

Taking a closer look at the footage now that I'm at home, it's mostly the level of activity and motion in the shots. Even in the Sony video, the quality absolutely falls apart any time that there is high motion and unstable video. The way video compression works, it depends on predictable and smooth motion to achieve good compression results, especially ...


2

There isn't really a magic "enhance" button like on CSI. If there isn't enough information to see even part of the numbers (at least a blur where they are) then it is impossible to tell what is there because the information simply was not captured. It is most likely clipping, which means that everything in that area is the maximum possible whiteness and ...


2

To add onto what Professor Sparkles said and to give more of a specific answer to your question, I believe this is done entirely in post (but I could be wrong because I have no experience on set). If anything, one could definitely reproduce this (or very close to it) in post by performing a few things: Remove Noise Balance your R,B,G channels Juice the ...


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Mostly any commercial video editing software should be able to do this. Premiere Pro would be my go-to option, there are different ways to accomplish a color pass effect with it. You can set the color you want to be passed, the tolerance, chose if you want softened edges ... Premiere basically can do everything you can wish for regarding color pass. But then ...


2

Davinci Resolve Lite (link at bottom of page) is a free, fully functional version of professional colorist software. It runs on both Mac and PC. The most notable restriction to the lite version is that it's limited to 1080p output, which should be fine for most folks looking to upload videos to youtube, or show them on a standard HD TV. Because Resolve is ...



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