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Well you could download a trial 30 day copy of the legacy version of Adobe After Effects CS6. It allows a full unrestricted 30 day install trial. From there, you could take your footage in, place the master clip in a composition, and instead of cutting it, use the the time warp feature, which will give you smooth keyframes where you can adjust up the speed ...


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Please help i want this. I like after effects please


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usually there are two ways to convert videos from 30 fps to 60 fps. Firstly simply copy every frame to the missing frame, in this case, you can watch video with the same quality. Secondly, interpolate the missing frames using Sony Vegas or Splash Pro video player, which will playback video with poorer quality probably. Therefore, it is better to film videos ...


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I'm using lasted AVIDEMUX (2.6.911 version) for join the GoPro videos. It's very fast and easy to use. To start a "project", drag and drop the first file you want to join from windows explorer to avidemux window, than continue to drag and drop following the numeration of the GoPro files. To create the new joined video, select OUTPUT format to MP4c2Muxer, ...


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Personally, I would ditch the usb3 drive for editing. Assuming you can't buy a third drive I would do your setup like this. Do a two drive setup. C: OS and media cache d: (raid) Media, projects, previews and exports. I've always followed the advice here and its worked great for me. ...


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I think not. AR-ish sounds like to want to elude something, here I think locking down the camera and simply generating the AR-elements in photoshop/illustrator, or if moving AR elements are cqlled for, After Effects and compositing them in premiere or After Effects would get you where I think you want to go. If the video is shot and not locked-down, you can ...


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Advanced Authoring Format (AAF) and some MXF operational patterns (OP-2a, 2b, 3a, and 3b) should be able mix bit rates. I say "should" because I don't have any good way of testing right now and I don't know of any commercial systems that are making heavy use of those MXF OP's.


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It's weird. I see all resolutions - upto 1080p - on Youtube. And the thumbnail hover does show the full frame as seen in your VLC snapshot, but not in the playback window on Youtube. youtube-dl shows streams in a 1:2 ratio i.e. 540x1080, 360x720, which would be what you're seeing locally. You can use ffmpeg, a free command-line tool, to crop out the ...


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Well I can't say I know how it would be done; but RED (www.red.com), their R3D video format uses a debayer process. I own a RED Epic. It shoots at up to 5K 100 FPS. When out in the field, and wanting to view the video on say a laptop, the throughput of uncompressed (or near) say 3:1 5K is huge. So RED uses a debayer process; where the pixels are ...


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If the only difference is bitrate, then any container which accepts variable bitrate streams, will fulfill your requirement e.g. MP4, MKV..etc Step 1 is to encode your segments, ideally using the same encoder, to different bitrates with all other parameters being the same e.g. via ffmpeg, ffmpeg -ss 0 -t 5 -i input.mp4 -b:v 1000k seg1.mp4 ffmpeg -ss 5 -t ...


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Method 1 First, with the Premiere project closed, move the original files that you're editing with to a new folder or other location. Open your project and it will warn you of missing files. Click the Relink others automatically checkbox and then hit Locate. Navigate to the folder with the new graded footage, find the first clip and press Ok. It will then ...


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Set temporal interpolation to Hold as seen below:



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