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I would do this in Blender, which uses Python as a scripting language. This gives you a powerful way to "fly" through the data as it animates. If you are happy with just a static perspective of the map with the points being animated, R has an extraordinary range of graphing capabilties that can be used to generate animations.


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I wrote an automation script for after effects that allows data and assets to populate a template I have worked with companies over the years extending this so that it runs on a server, takes assets and data through a web browser, and renders the modified template.


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You are interested in blending mode "Difference" You can use it in "Blending mode" of layer, or on masks. UPD: Adding screenshot, as asked Red — Mask Blending Blue — Layer Blending


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Personally, I would ditch the usb3 drive for editing. Assuming you can't buy a third drive I would do your setup like this. Do a two drive setup. C: OS and media cache d: (raid) Media, projects, previews and exports. I've always followed the advice here and its worked great for me. ...


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A few things to try: Make sure your camera footage is at the same frames per second as your comp. Instead of selecting a single track point, try drawing a lassoo around several points. You'll get a target plane instead. Make sure it's facing the right way (if it's not - redraw your lassoo around some different points). Open the Advanced triangle in the ...


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I just found out how to solve my problem. The H.264 codec is the issue, it somehow does not work with it and AE gives you a warning: Output file will be resized from 2085 x 2560 (1.0 PAR) to 2000 x 2000 (1.0 PAR) to meet format constraints. Solution: I went with the MPEG4 codec and it worked as I wanted.


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Using Photoshop to create vector graphics is a bad idea, as it is just not built for that. Even if you don't use the more sophisticated features of Illustrator, the basic tools such as the pen work somewhat similar to the vector tools in Photoshop. So next time you want to create vector graphics, just work with Illustrator from the start. For your existing ...


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To see in wireframe objects, which is parts of effects (like emitter), just put in the scene Null Object and parent your effect point (emitter, etc) to it. After that, to adjust your point, adjust Null Object position. Null Objects are visible in wireframe.


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It is possible, but it might look a bit weird. Video is constantly changing - even just a video of a wall will have noise in it, so static images tend to look a bit odd in comparison. But Ii you stretch one pixel of the noisy moving image, you'll get lines of noise moving either side of your image, which might not look great either. However, if you want ...


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10-bit footage will look the same as properly shot 8 bit footage, it's how it copes with grading and effects that makes the difference. If you have 10-bit video that's a few stops underexposed you still have a lot of information in the shadows - four times as much information as the 8 bit. You won't see that extra info until you correct the ...


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After Effects can be automated using the Adobe extendscript scripting language, and can be run from the command line, meaning that it can be integrated into other processes. Extendscript is JavaScript and it works across Adobe's product line (to varying degrees, you can use it to script Photoshop for instance). If you have a JavaScript developer available ...


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Probably a dumb question, but is your circle the same colour as the rocket? Then it would appear to obscure the rocket... Alternatively - There could be some kind of matte on one of the layers? Click on the Toggle Switches/Modes button at the bottom of the list of layers in the timeline, and see whether any mattes are switched on.


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No this can't be done as you explain. You need to make a comp with multiple layers (as many as satisfy what you are going after) and mask them the same. I've applied the iOS blur effect in my lower thirds titles in FCPX with just two layers. Premiere, AE and other NLEs are the same. Wish it were easier!


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If you have a compatible Nividia GPU then Nvidia Shadowplay is a great screen recorder, it can do 4K at 60fps with a 50MBPS bitrate, has low CPU usuage and is free. It can also capture the last 5-20 minutes of what was on your screen. The file sizes can get a bit big but you can reduce the quality to what you want and can delete the video files after making ...


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Mov output came exact color. what we're expected. please check below image. If you want you can use mov output instead of H.264 mp4 output. Please check your project color settingss. Keep default settings Go to Composition->Add to Render Queue->Lossless. Change Format default AVI to Quicktime. Please check below image Keep color management also ...


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You won't be able to create a clip that can 'blur any layer underneath' when placed in other applications. You can just blur assets from within AE and export them out.



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