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In Photoshop (or Illustrator), in a new layer above the vector shape, create a solid shape of the mask you want (with rounded corners). Export that layer alone as an image and import into AE. Use auto-trace to create a mask from it. See https://helpx.adobe.com/after-effects/using/creating-shapes-masks.html#create_a_mask_from_channel_values_with_auto_trace


I would take a learning from templates on videohive. Pre-comp all the text layers and put them in a separate organized folder in the project. This way if they have to edit the after effects file its just a matter of changing the text in the precomped layers. With that being said, I guarantee that you will never have on a week to week basis the same size text ...


With these kinds of things, I suggest not even using a green screen in the first place, especially one that is in an app and casts a green glow on the actors hands or body and picks up on reflections. Its much easier to have, instead, either a green piece of paper (which honestly will not really work in daylight in terms of the key but will at least give you ...


Trackers never hurt and there's almost no reason not to use them, but there's no substitute for pre-production and field testing. The only failure is failure to plan. Ideally your markers would be high contrast, however you can place darker green markers on a green screen which can be entirely keyed out if the artist doesn't need them, but will still be ...

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