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In Photoshop (or Illustrator), in a new layer above the vector shape, create a solid shape of the mask you want (with rounded corners). Export that layer alone as an image and import into AE. Use auto-trace to create a mask from it. See https://helpx.adobe.com/after-effects/using/creating-shapes-masks.html#create_a_mask_from_channel_values_with_auto_trace


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I would take a learning from templates on videohive. Pre-comp all the text layers and put them in a separate organized folder in the project. This way if they have to edit the after effects file its just a matter of changing the text in the precomped layers. With that being said, I guarantee that you will never have on a week to week basis the same size text ...


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With these kinds of things, I suggest not even using a green screen in the first place, especially one that is in an app and casts a green glow on the actors hands or body and picks up on reflections. Its much easier to have, instead, either a green piece of paper (which honestly will not really work in daylight in terms of the key but will at least give you ...


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Trackers never hurt and there's almost no reason not to use them, but there's no substitute for pre-production and field testing. The only failure is failure to plan. Ideally your markers would be high contrast, however you can place darker green markers on a green screen which can be entirely keyed out if the artist doesn't need them, but will still be ...



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