Has anyone done or seen any tests comparing Apple ProRes 422 with high-bitrate H.264? We use 422 as a delivery format to go to DCP for theatrical versions of trailers. The bitrate is around 150mbps. ...
I need a codec that outputs an absolute black. Encoded some samples with .AVI no compression and the black background of my video is very dark. Contrary in other codecs like Apple ProRes or H264/MPEG4 ...
This is something I've never quite understood, but have always wondered. Forgive my basic knowledge here, but I've tried to research this without a specific answer as to what is going on. When I ...
I'm fairly new do filmmaking. I've been trying to figure out which is best, but people seem to have very different opinions and everyone has his own arguments. My guess is that ALL-I should be better ...